Françoise Parfait. Vidéo : un art contemporain
نویسندگان
چکیده
منابع مشابه
Le hachage parfait fait-il un parfait test de sous-typage?
Subtype tests are an important issue in the implementation of object-oriented programming languages. Many techniques have been proposed but none of them perfectly fullfills the five requirements that we have identified: constant-time, linear-space, multiple inheritance, dynamic loading and inlining. In this paper, we propose to apply a well known technique, perfect hashing, and we show that it ...
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A mistake in ”Five legitimate definitions of correlated equilibrium in games with incomplete information” motivates a re-examination of some extensions of the solution concept that Aumann introduced.
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The goal of this thesis is to valid the hypothesis such that the video object coding allowssignificant improvement thanks to the used of dynamic coding. The dynamic coding is thesetting on competition of a set of coders on each video object and the retaining of the bestcoder for each object.To reach that goal, different points are studied. The first one concerns the study of...
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A fifteen-year follow up of the linguistic and cognitive profile of a woman, named Françoise, with standard trisomy 21. She had been studied in considerable detail between 1987 and 1991 by Rondal (1995) and found to have exceptionally good language abilities in advance of regular cognitive abilities for a person with Down syndrome. Françoise's psychological functioning has been deteriorating re...
متن کاملFrançoise Chatelin a Dialogue about Qualitative Computing
Professor Françoise Chatelin http://www.cerfacs.fr/~chatelin teaches Applied Mathematics at the University Toulouse 1Capitole, and is the head of the Qualitative Computing group at the Centre Européen de Recherche et de Formation Avancée au Calcul Scientifique (Cerfacs) in Toulouse, France. Her expertise includes many areas, from spectral theory for linear operators in Banach spaces to finite p...
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ژورنال
عنوان ژورنال: Critique d’art
سال: 2002
ISSN: 1246-8258,2265-9404
DOI: 10.4000/critiquedart.2053